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Solfeggio Frequencies



History Of The Solfeggio Frequencies
(Written By David Hulse)

These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentleman for the part they’ve played in helping return these lost frequencies back to humanity.

The Six Solfeggio Frequencies include:

UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order

For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase “MI-ra gestorum” in Latin meaning “miracle". Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA – the genetic blueprint upon which life is based!

A Little History

At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.

Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as “genetic gibberish.” Is it possible that most of who we are still lies dormant as our human potential?

In the old paradigm of religion, “potential” remained a mystery to the human mind, therefore we coined a mystical term called “SPIRIT.” “Spirit” was something that was detached from who we were, something we didn’t have and could only be gained through the systems of most religions.

The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.

Being a student of “A Course In Miracles” in the late 80’s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I read a quotation by Albert Einstein which stated:”Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter.” I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul — we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, “The Divine, is in me”- makes “me” separate from the Divine. May I suggest a shift in the saying to: “The Divine, AS me” to remove the separation.

As we move from genetics and concepts like Soul, “Soul Mates” and “Soul work,” we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory – The Theory of Everything) —there are no boundaries. There is no “this” or “that;” no you or me. It is a pure field of awareness – consciousness. I solved the dichotomy about “we are not our body” by changing my perception of genetics to energetics – realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.


How Did The Solfeggio Frequencies Get Lost?

I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious – accessing insights beyond belief systems.

As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, “as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other.” It’s this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks – it can be a way to direct energy for transformational purposes.

Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it’s nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound—whether it’s chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.

When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation;

Joseph -“Can you decipher Mediaeval Latin?’

Monsignor -‘Absolutely!’

Joseph -‘And you know the musical scale and everything?’

Monsignor -‘Absolutely!’

Joseph -‘Well then, could you tell me what ‘UT – queant laxis’ means?’

After a brief pause, the Monsignor quipped, -‘It’s none of your business’. Then he hung up.”

Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who “argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith.”1 Moreover, Professor Apel reported that “one-hundred fifty-two chants were apparently missing. The Catholic Church presumably “lost” these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio.”1 Trust me, nothing is lost, it’s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.

According to Professor Willi Apel,1 “The orgin of what is now called Solfeggio…arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence “Ut” was artificially replaced by “Do.” Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added “Si” for the seventh note of the scale, in order to complete the series.”

Further research states that, “Pope Johannes later became a saint – Saint Iohannes – and then the scale was changed. The seventh note “Si” was added from his name. “Si” later became “Ti.” These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church’s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more “Godlike,” the changes affected alterations in conceptual thought as well, further distancing humanity from God.” In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the “secret ear.” Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes.”

I’d heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from “The Sound of Music.” I literally have a “brain cell firing” as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn’t realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.

Looking at the definitions of each of the original syllables, using hidden entries from Webster’s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual order.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into “lost” hymns and Gregorian chants?

I think we are living in a tremendously wonderful time, and rather than seeing the glass as “half empty,” I see it as “half full.” Rather than accepting “CNN’s perspective” of the world view, it’s about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it’s all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.

It’s all about assisting other people. It’s not to be their “Healer,” but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with—whether it’s Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you’ve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of “Spiritual Wholeness.”

1 “Healing Codes for the Biological Apocalypse” by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From “Man’s Cosmic Game” by Guiliana Conforto


The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: “If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.”

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of “thirds, sixths, and ninths, were extraordinarily powerful.” In fact, he proved the “vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat.” In his “Formula of Aqueous Disintegration” he wrote that, “molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects.”
In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week – or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.

When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here?

As Rees puts it, “These six numbers constitute a recipe for the universe.”He adds that if any one of the numbers were different “even to the tiniest degree, there would be no stars, no complex elements, no life.” (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho’s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence.Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.

Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the solfeggio, they are even more powerful as these combinations serve as “portals” to other dimensions!


Just Intonation – 12 Tone Equal Temperament

As I observed earlier, another reason these Ancient Solfeggio frequencies became “lost” was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known asJust Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. “Essentially, music has been placed in a box of limitations”— as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.

“Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison.”

Just Intonation can be found in many of the great Fathers of Classical Music – Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.

Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.


How these different types of tones affect our health

Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as “boxed-in thinking,” stuffed and suppressed emotions; and fear-based ” lack” consciousness—all of which then tend to manifest into physical symptoms of “dis-ease.”

This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.

Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. Theclosest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.

David Hulse


Here are the frequencies in Latin:

Ut queant laxis

resonare fibris,

Mira gestorum

famuli tuorum,

Solve polluti

labii reatum,

Sancte Iohannes.


It may be translated: So that your servants may, with loosened voices, resound the wonders of your deeds, clean the guilt from our stained lips, O Saint John.


FAQ:
(written by Brad Johnson) 
 
What happens if I do not experience headaches or nausea?
 
Answer: Consider yourself one of the lucky ones. Not everyone will get it. There is an after effect that may affect only some.
 
Can I listen to this so many times I want a day?
 
Answer: You can. But if you feel after effects such as headache or nausea, let it pass first before continuing to listen to it. If you listen to it at least once a day for six weeks you will be able to feel dramatic changes within yourself.
 
Should I listen to it through headphones or speakers?
 
Answer: For best results you get in stereo headphones, at least that is my experience. Make sure the headphones are of very good quality sound that provides excellent resonance and have the highest volume you can tolerate.
 
Which area of the sound should I focus on?
 
Answer: Concentrate on the pulsing frequency and not on the background because it distracts the mind from allowing frequencies and vibrations in its entirety. An example of this is if you listen to one kind of religious song, you have to concentrate on songs rather than looking at what other people around know about songs ... it is a distraction. This distraction is deliberate because it fades in and focus your mind to something you have to listen to but once you are tuned your mind knows what it is to concentrate on. 
 

How do we know if we listen to the "exact" frequencies?
(written by Ravi Raju)

Answer: I am the one who created it and sent it to Brad Johnson and Blossom Goodchild. I can understand your dilemma about the person who created this file. So let me clarify for everyone. If you need to know who I am ... So please feel free to google on "Ravi Raju water fuel" and you see a lot of pages about me.

I've always been a donor and what you see out there is a replication of a technology that could well be a car to run on water, but it would definitely increase your mileage by 50% minimum ... I made this technology free online for anyone to make and use it for this and was threatened and asked to stop posting info about it ... everything is online ... and by the way, the original inventor of this technology has had a car that ran on water only was murdered in 1998 when he wanted to sell conversion kits for every car to run on water.

I expect no commercial gains from replication but watched with a broader perspective on cleaning up the mess that kolväteberoende The world is already in now, and this was my way of doing it ... to strengthen people with technology and that the whole Earth to the virgin state is all that matters.
 
In the case of Solfeggio Frequencies ... I had known about them for a while, knowing that they worked for me and had not released them until now because I presumed that the observation of "14 October light the ship" would start the ascension process automatically. In fact, the event made people aware of the possibility of ascent and this is one of the ways you can begin the process before their eventual arrival.
 
I know the binaural. There is no use of binaural audio in the file. I have tried to use them but the effectiveness of the audio file appeared to decrease when they were added. So all you have is two Solfeggio frequencies and background noise that goes along with, consisting of noise and sea birds ... background noise is a distraction for the frequencies are intense and they also provide a calming effect.
 
You would not know that you feel when you listen, the sound file frequency change anything .. It would just be an annoying sound and nothing else. The closest comparable, contemporary tone is C, above middle C, which vibrates at 512 Hz and the third frequency of the sound file is at 528 Hz (or Miracle MI) ... try using a frequency generator software for both of these frequencies and see the difference yourself, what to reassure you ... and how it was assembled in the audio file to improve people's reception of those frequencies.
 
I wanted to clear this up for any person about who I am and why I do this. 2012 is when the Earth's dimensional shift will happen and when we cross the galactic plane, it is only those who have reached the higher vibrations that could handle the transition, the rest need help.
 
Solstices - conjunction of the galaxy's center, John Major Jenkins has finally decoded the meaning of Maya's big bicycle. In his book "Maya Cosmo Genesis 2012", he shows that the great cycle is the fifth and last cycle of the 26 000-year long-equinox precession, except that the Maya have been measured from the winter solstice instead of the equinox. On 21 December 2012, the Solstice, the sun be aligned with the tear in the eastern galaxy, which the Maya call the Crocodile mouth, (or Jaguar-toad), where the Crocodile Tree is the Milky Way.

This is the widest part of the Milky Way, and consistent with the direction toward the center of the galaxy. Since the position of the line occurs, the Earth will focus in the galactic plane and cross to the other side, causing a "field-energy power-shift", which allows us to vibrate with the field source. This will be the completion of the human embryo spiritual origin as measured in the Maya long calendar, culminating in a "polskifte" in the collective psyche, and giving birth to our higher self. The last day of the great cycle, called the Mayan Day of Creation.
 
Now I hope that you've got the gist of why I wanted people to reach higher vibrations much earlier than the deadline. We as a human community, or humanity should help each other in this period, especially for what may happen in the coming years of upheaval and change and put aside the small differences that have propagated through the benefit of certain egcentrerad and self-appointed heads of humanity.


Love and Peace to all,
Namaste,
Ravi Raju


Basically, there are six Holy frequencies in Detail:

0:00 to 1:30 Helps “Liberate Guilt and Fear” - associated with releasing emotional patterns.

1:31 to 3:00 Helps “Undoing Situations and Facilitates Change” - associated with breaking up crystallized emotional patterns.

3:01 to 4:30 Helps “Repair DNA / connecting all the strands” - associated with Transformation and Miracles.

4:31 to 6:00 Helps “Connecting / Relationships” - associated with whole brain quadrant interconnectedness. Connecting Relationships.

6:01 to 7:30 Helps “Awakening Intuition” - associated with intuitive states, non linear knowing.

7:31 to end Helps “Return to the Spiritual Order” - associated with a pure love frequency: unconditional love and returning to Spiritual Order.

These frequencies are available in various forms called “The Holy Solfeggio Frequencies” over the internet but don’t seem to work effectively. So, Ravi created this file to help people easily reach the higher densities. He has tried these and he knows for sure that they work. The best commercial CD available for this is called HOLY HARMONY by Jonathan Goldman with Sarah Benson, but should be used after you finish with the beginning of ascension from the one Ravi created, as HOLY HARMONY could overwhelm you.


This download is below via RapidShare.

DO NOT CONVERT THIS TO MP3 FORMAT AS IT LOSES ITS EFFECTIVENESS ONCE CONVERTED TO OTHER FORMATS FROM ‘.WAV’ FORMAT. IT WILL NOT WORK IF IT’S NOT IN ITS ORIGINAL .WAV. FORMAT. Try and listen to it with out tinkering the equalizer as this changes the frequency’s effectiveness. Keeping the audio options in flat would be advisable.


Read this before you listen to the Solfeggio frequencies!

NOTE / CAUTION:

1. When listening for the first time, I would advice you to lie down and get to the most comfortable state and switch on the track…or get to the most relaxed position on your chair before you start.

2. Keep the volume at the maximum possible that you could handle.

3. You could feel a pounding sensation at the back of the head starting from the top of the neck to gradually ending at the brow by the time the audio finishes.

4. You “might” feel nauseated after you finish listening to the audio and may also have a head ache and pounding for sometime later as you’re basically experiencing new Neural pathways being created between both halves of the brain. As this pounding and headache reduces in a little while you’ll feel better / fresher that you have ever felt before..Enjoy this feeling! your ascension process has started.

5. First timers should listen to this before taking a nap or going to bed in the night as the after effects of headaches and the rest are not felt during sleep and you wake up renewed.

6. DO NOT TAKE ANY MEDICINE FOR YOUR HEADACHES… this is very very important. You need to understand that the discomfort of headache and nausea is due to the natural healing process going on and nothing other than that.

7. You would normally sleep for 12 to 16 hours during the healing process till your body is totally healed. You would feel a little tired during the healing but you should be done with the process in about 5 to 6 weeks.

8. If anyone feels numbness in the head and feel very lost and extremely tired immediately after listening to this, they should get outside and take deep breaths. You’ll feel very very refreshed within no time!

9. Drink lots of water as your body would be discarding most of the toxins built up over time and you need to get as much protein as your body asks for.

10. Listen to the audio till the day you don’t feel the after effects any more after you’re done, as this is an indication that you have received the push needed for ascension and your body and mind would take care till you reach your maximum potential you are meant to.

11. Most of your chakras would be activated during the healing process… Including increased telepathic, clairvoyant and healing abilities(If you would feel a tingling and more than usual warmth in the center of your left palm if you are right handed and the other way round if you are left handed, you need to know that you have the ability to cure the 3-dimensional ailments or diseases of others)… there would be so many new things you would discover about your new abilities!! what I mention here are just a fraction of the whole.

12. DO NOT at any cost abuse these abilities as they are meant to help and to be shared with others and not for personal gain.

 

Download Here - Ravi's audio file, as described above. (Use the free download option and wait for the download button to appear after countdown. The file size is approximately 103 Mb.)

Or Listen Here - Ravi's audio file with more background noise.


You can also see and listen to other compositions here, although Ravi's is to recommend:

UT - 396 Hz

Re - 417 Hz

Mi - 528 Hz

Fa - 639 Hz

So - 741 Hz

La - 852 Hz


And, do you want to listen to nine frequencies,  listen to these.


6:27 minuter
Solfeggio Arpeggio 174 285 396 471 528 639 741 852 963 

2:15 minuter
All Solfeggio Hz Chakra Tune


NOTE! Next is Mi - 528 Hz without background music, it's very powerful!


Mi - 528 Hz

 

 

 


 

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